Return Of The Durutti Column Rarlab

Factory Benelux presents a new vinyl and CD editions of landmark album The Return of the Durutti Column, housed in a revised version of the iconic sandpaper sleeve first issued by Factory Records in January 1980.A collaboration between virtuoso guitarist Vini Reilly and legendary Manchester producer Martin Hannett, The. The return of the durutti column? Well, i suppose there's a logical explanation to that title. Generally, a debut release is intended to pave new ground with something.

Factory Benelux presents a new vinyl and CD editions of landmark album The Return of the Durutti Column, housed in a revised version of the iconic sandpaper sleeve first issued by Factory Records in January 1980. A collaboration between virtuoso guitarist Vini Reilly and legendary Manchester producer Martin Hannett, The Return of the Durutti Column paired Reilly’s non-rock sketches with Hannett’s electronic textures to produce “perfectly realised, correctly ambient and inventive music” (NME). The infamous sandpaper LP sleeve was somewhat less user friendly. Inspired by a 1959 Situationist publication by Guy Debord and Asger Jorn, the relentless iconoclasts at Factory hoped that the abrasive packaging would destroy existing record collections.

This new 2013 edition LP on Factory Benelux develops rather than replicates the original packaging. On the front cover, an 11-inch square sheet of coarse glasspaper is seated beneath a die-cut based on the 1978 Factory 'bar graph' logo designed by Peter Saville. The bonus Hannett ‘test card’ flexidisc is now a hard vinyl 7” (with improved sound quality), while the album itself features two extra tracks, Madeleine and Lips That Would Kiss (previously issued as a separate 7-inch single on Factory Benelux in October 1980). The inner bag also features extensive liner notes with quotes from Vini Reilly, Martin Hannett, Tony Wilson, Peter Saville, Daniel Meadows, John Brierley, Bruce Mitchell and members of Joy Division, who assembled most of the sandpaper originals.

The new package is sealed in a heavy duty polythene wallet, thus ensuring that adjacent records in your collection remain intact. This new 2014 edition CD on Factory Benelux includes the 9 tracks included on the first Factory pressing, as well as the six 6 tracks which formed side two of the rare second pressing. Also featured are the two Martin Hannett ‘test card’ flexi-disc tracks, and Madeleine and Lips That Would Kiss, both previously issued as a 12-inch single on Factory Benelux in October 1980. The cover art of this new CD version restores the later jacket design issued by Factory, featuring three miniatures of paintings by Raoul Dufy.

The booklet features period Durutti images by photographer Daniel Meadows, and extensive liner notes with quotes from Vini Reilly, Martin Hannett, Tony Wilson, Peter Saville, Daniel Meadows, John Brierley, Bruce Mitchell and members of Joy Division, who assembled most of the sandpaper originals. LP tracklist: Side 1: 1. Sketch for Summer 2. Requiem for a Father 3. Conduct Side 2: 1.

Sketch for Winter 4. Lips That Would Kiss 7. Madeleine Side 3: 1.

The First Aspect of the Same Thing Side 4: 1. The Second Aspect of the Same Thing CD tracklist: 1. Sketch for Summer 2. Requiem for a Father 3. Sketch for Winter 8. Lips That Would Kiss 11. Madeleine 12.

The First Aspect of the Same Thing 13. The Second Aspect of the Same Thing 14. Sketch for Winter 17. Beginning 19.

The band at Cox's Yard,, in 2006 For the first few years after the demise of Factory, the only Durutti Column album releases were Lips That Would Kiss (a 1991 collection of early singles, compilation contributions and unreleased material on the separate label Factory Benelux), and Dry (1991) and Red Shoes (1992), Italian collections of alternate versions and unreleased outtakes. Former member was killed by an unknown assailant in 1991. He was later memorialised by the in the song 'Cowboy Dave.' In 1993 Tony Wilson attempted to revive Factory Records, and Sex and Death was the first release on (a subdivision of ). The album was once again produced by Stephen Street, with Mitchell and Metcalfe, and it included, on the track 'The Next Time', of. Time Was Gigantic. When We Were Kids, which followed in 1998, was produced by, who also played on the album and has frequently worked with Reilly since.

Fidelity was released between these albums in 1996 by and was produced. The eight albums recorded for Factory ( The Return of the Durutti Column, LC, Another Setting, Without Mercy, Domo Arigato, The Guitar and Other Machines, Vini Reilly and Obey the Time) were re-released with additional material by Factory Too/London, under the banner Factory Once, between 1996 and 1998.

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