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Buy Sleep Dealer (English Subtitled): Read 60 Movies & TV Reviews - Amazon.com. In a way, it reminds me of Bruce Willis' recent, superb SURROGATES. A motor home is an all-inclusive way to travel with your bed, living room, kitchen—even bathroom. But they remain rare among motor homes. That will soon change. How many can they sleep.

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Advantageous, the conversation between CEO Isa Cryer and Gwen Koh When Gwen tries to relax in a ‹Quiet Room›, she looks like a doll. Later in the film, Jules inspects the lifeless body of Gwen 2.0, essentially a doll to be inhabited. Jules’ tilted head expresses the strangeness of the situation. Jules looks like a doll too, hinting at her own uncertain future as a young person amidst economic instability. In Sleep Dealer the doll theme is ever present and often becomes palpable when humans interact with technology. «Since my film has to do with the theme of labor, I said I want to put the nodes not in his brain but in his arms. So if he had five connectors in each arm, I got this kind of beautiful marionette metaphor where these cables were coming from his arm up to the system.» The node workers manipulate robots in faraway places.

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Hooked to a machine, the workers are human robot puppets within the wider economic system. It remains ambiguous whether the worker controls the machine or the machine controls the worker.

The work is physically and mentally demanding, an accident in the virtual realm can translate to severe body damage in the real world. In one such scene the injured worker is quickly transported outside the workspace. The zero contract work structure does not seem to include decent health care coverage. Like Gwen signing the legal papers before the procedure, the workers signed off with their lives. They are de-humanized, object-like entities, endlessly replaceable. When Memo and his father buy some water, they learn that the pricing has increased drastically since last time. The telecommunication service Memo uses to talk to his family charges exorbitant fees.

When Rudy travels to Tijuana to talk to Memo, he stares into a camera equipped with a machine gun. His smile is ambiguous. The human need for access to basic services is exploited. The pricing and unexplained fee increases show the total arbitrariness of a neoliberal system decoupled from regulatory oversight mechanisms. Protesting may result in the machine gun firing. In case of your injury or death, the incident would be filed under obstruction of corporate services. In short, Advantageous and Sleep Dealer portray a regime that considers humans as paying entities, mere dolls to be manipulated and robbed.

Top: Sleep Dealer, an early node worker draft by Alex Rivera Middle: Advantageous, Jules first look at Gwen’s new host body Bottom: Sleep Dealer, Rudy leaving the US. Facing 21st century violence One wonders whether the humanities still exist in the 2040s (a first short version of Advantageous produced for PBS’ Futurestates series is set in 2041). The human subject clearly has been eroded, as if prepared for disappearance. In Advantageous and Sleep Dealer, there is hardly any time for contemplation; the character’s main preoccupation is survival. How can an exploitative scenario as depicted in these two films be avoided if current neoliberal trends are not held in check via regulatory regimes? What common human efforts are needed to build an institutional framework able to sustain meticulous and continuous regulatory regimes, independent from the persistent corporate attempts at deregulation?

Is the neoliberal future scenario of the films discussed inevitable or can it be avoided? How to ‹manage the managers›? How to handle a slippery system designed to corrode human decency? Are we doomed to become dolls? Complicity Jules: Holoprof was trying to finish the 20th and 21st centuries in one class period. All I remember is the 2033 bubble and the New York traditionalist movement, which he said is taking over now.